Tuesday, August 19, 2014

Hard times a'comin'

My late, dear friend, mentor, and boss at St.Paul's Chapel, Columbia years ago, Searle Wright, used to say: "Sing good! If you can't sing good, sing loud!!"

Well, tonight the cast of Romance in Hard Times at Barrington Stage 2 certainly sang loud!

The musical by William Finn with a book by Rachel Sheinkin was originally written and performed in 1989 at the Public Theatre in New York. It was one of Joseph Papp's Theatre Laboratory presentations and ran for three weeks.

The current production seems to be in the progress of being re-written by Mr. Finn. In fact, one of the characters is 'The Composer', who is re-writing the play as it goes along. We were told that the cast had learned 32 pages of new material today.

I'm afraid it needs more than thirty-two new pages to be a success. The almost non-existant plot concerns a woman who refuses to deliver the child she is pregnant with until there is a better future. Since this takes place in the depression of the thirties, it looks like it will be an elephantine pregnancy. 

A number of out of work people gather in a soup  kitchen and lament their fate. The father of the baby is mute and will not speak until he gets work. He finally gets sent to jail. He escapes. Eleanor Roosevelt appears in a tasteless parody of that fine lady to try to save the day.

Need I say more?

Well, I guess I have to. Mr. Finn seems to devise text that is un-settable and then attempts to set it to music. There is a lot of repetition of phrases. At several dramatic high points the musical monolog goes on for too long with no advancement of the already stalled plot. The end is just as gloomy as the beginning.

In case you haven't noticed by now, I didn't like the show.

The cast, David Benoit, Lance Fletke, Alan H. Green, Desmond Green, Matthew Gregory, Gabriel Kadian, Anne Kanengeiser, Theresa Kloos, Alix Korey (who we saw several weeks ago in a poor imitation of  Ethel Merman), Andrea Leach, Michael Mandell, Jordana McMahon, Christina Acosta Robinson, Aaron Serotsky, and Ross Yoder all seem like talented actors with what could be good 'theatre' voices. But either the director or the composer must have told them to 'Give it all you've got!' Which they did.

Unfortunately.