Tuesday, July 24, 2012

All my sins

Barrington Stage is presenting Arthur Miller's over-wrought tragedy All my sons. And no, the title of this blog is not a misprint, because the play is all about post World War II guilt or the lack thereof.

It is based on a true story of a woman who informed on her father who sold faulty parts to the military during the war. It also refers to The Wild Duck of Henrik Ibsen in which two partners in business divide, one taking the blame and responsibility for a similar action.

Joe Keller is the partner who was exonerated after being charged with shipping damaged plane cylinder heads, while his partner, Steve Deever, goes to jail for the crime. Steve does not appear in the play. Jeff McCarthy, a regular at Barrington Stage played this role. I know him more as a musical comedy performer, so it was a bit difficult to accept him in this grim role of a man who has convinced himself that he stayed out of jail for the good of his family.

Lisbeth MacKay was much more believable as his wife, Kate. Josh Clayton was believable in the role of their son, Chris and Rebecca Brooksher, as, Ann, the daughter of jailed Steve Deever was good in her role as well. In an almost biblical reference, Chris is planning to marry Ann who was engaged to marry his brother, who was killed in the war. It turns out that the brother was aware of his father's crime and deliberately flew to his death.

Everyone expresses a lot of angst. At the end Chris confronts his father with his duplicity and threatens to take him to the police. The father shoots himself. So everyone feels guilty. The play probably would have struck me differently had I seen it in 1947 when the war and war barons were a part of our lives, but at this point it seems dated.

This was Miller's second play. His first,The Man Who had All the Luck, closed after four performances. It seems to me that Miller was just getting his stride in this one, which of course, led to Death of a Salesman.

There have been several revivals of of the work and two film versions. It has a dramatic, emotional thrust, but to my way of thinking, borders on the melodramatic.