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Janet Baker
Those were the days of Community Concerts, when great performers, singers and instrumentalists, came to small towns all over this country and performed. In Battle Creek, Michigan, I heard the greatest performers in the world. That, unfortunately, has ceased to exist.
I was working yesterday with a student who is preparing a recital which will include, among other things, a set of songs by Hugo Wolf. She told me she likes to sing songs but really loves to sing operatic arias. I told her that in this day and age, outside of the conservatory, song recitals are becoming like the Brontosaurus: extinct! To have a career as a singer, one really needs to head for the operatic stage. If you are lucky, like Mr. Finley, people may then come to hear you sing songs.
Our visiting friend, who is involved in a summer chamber music festival, said that she thought that she would suggest that they begin to include at least four song recitals in each of their seasons. What a wonderful idea. Would that more venues would think like this.
In the meantime, my students learn a repertoire of songs, as well as of operatic roles and arias. Considering the vast catalogue of song repertoire, it is a crime to let it go unsung.